The Beaune Altarpiece (c. 1445–50), often called The Last Judgement, is a large polyptych altarpiece by theFlemish artist Rogier van der Weyden. It was painted in oil on oak panels, with parts later transferred to canvas. It consists of fifteen paintings on nine panels; six of these are painted on both sides. It retains some of its original frames. French Macaron Pillow,Creative Cushion - Matty's
Six outer panels (or shutters) are hinged, when folded they show an exterior view of saints and the donors. The inner panels contain scenes from the Last Judgement and are arranged across two registers. The large central panel that spans both registers shows Christ seated on a rainbow in judgement, with his feet resting on a golden globe. Below him the Archangel Michael holds scales as he weighs souls. French Macaron Pillow ,Creative Cushion - Matty's
The panel on Christ's far right shows the gates of Heaven, that to his far left the entrance to Hell. The panels of the lower register form a continuous landscape, with figures depicted moving from the central panel to their final destinations after receiving judgement.
The altarpiece was commissioned in 1443 for the Hospices de Beaune by Nicolas Rolin, SONY VAIO PCG-21211M battery
Chancellor of the Duchy of Burgundy, and his wife Guigone de Salins, who is buried in front of the altarpiece's original location in the hospice. It is one of van der Weyden's most ambitious works, equal to his Prado Deposition and lost Justice of Trajan and Herkinbald. It remains in the hospice today, although not in its original position. SONY VAIO PCG-21212M battery
It is in poor condition and was moved in the 20th century to shield it from sunlight and better protect it from the almost 300,000 visitors it receives annually. It has suffered from extensive paint loss, the wearing and darkening of its colours, and an accumulation of dirt. In addition, a heavy layer of over-paint was applied during restoration. The two painted sides of the outer panels have been separated so both can be shown simultaneously; SONY VAIO PCG-21212V battery
traditionally, the shutters would have been opened only on selected Sundays or church holidays.
Nicolas Rolin was appointed Chancellor of Burgundy by Philip the Good in 1422, a position he held for the next 33 years. His tenure with the duke made him a wealthy man, and he donated a large portion of his fortune for the foundation of the Hôtel-Dieu in Beaune. SONY VAIO PCG-21213V battery
It is not known why he decided to build in Beaune rather than in his birthplace of Autun. He may have chosen Beaune because it lacked a hospital and an outbreak of the plague decimated the population between 1438 and 1440. Furthermore, when in 1435 the Treaty of Arras failed to bring a cessation to the longstanding hostility and animosity between Burgundy and France, SONY VAIO PCG-21214V battery
the town suffered brutal ravages and famine from écorcheurs (marauding bands) who roamed the countryside during the late 1430s and early 1440s. The hospice was built after Rolin gained permission from Pope Eugene IV in 1441, and it was eventually consecrated on 31 December 1452. In conjunction, Rolin established the religious order of "Les sœurs hospitalières de Beaune". . Sony VAIO PCG-31111M battery
Rolin dedicated the hospice to St Anthony Abbot, who was commonly associated with sickness and healing during the Middle Ages.
In the hospice's founding charter, signed in August 1443, Rolin wrote that "disregarding all human concerns and in the interest of my salvation, Sony VAIO PCG-31311M battery
desiring by a favourable trade to exchange for celestial goods temporal ones, that I might from divine goodness render those goods which are perishable for ones which are eternal ... in gratitude for the goods which the Lord, source of all wealth, has heaped upon me, from now on and for always, I found a hospital." Sony VAIO PCG-8152M battery
In the late 1450s, only a few years before he died, he added a provision to the hospital charter stipulating that the Mass for the Dead be offered twice daily. Rolin's wife, Guigone de Salins,[A] played a major role in the foundation, as probably did his nephew Jan Rolin. De Salins lived and served at the hospice until her own death in 1470. Sony VAIO PCG-8131M battery
Documents regarding the artwork's commissioning survive and, unusually for a Netherlandish altarpiece, the artist, patron, place of installation and date of completion are all known. It was intended as the centrepiece for the chapel, and Rolin approached van der Weyden around 1443, when the hospital was founded. The altarpiece was ready by 1451, the year the chapel was consecrated. Sony VAIO PCG-5P1M battery
Painted in van der Weyden's Brussels workshop – most likely with the aid of apprentices – the completed panels were then transported to the hospice. The altarpiece is first mentioned in a 1501 inventory, when it was positioned on the high altar.
The polyptych was commissioned to provide both comfort and warning to the dying. SONY VAIO PCG-81212M battery
It was intended to remind them of their faith, and direct their last thoughts towards the divine. This is evident in its positioning in the chapel, within view of the patients' beds. Rolin specified that 30 beds be placed within sight of the altarpiece for those too ill to walk, where it was visible to them through a pierced screen. There were usually only two patients per bed, luxurious at a time when six to fifteen in a large bed was more common.[14HP Mini 210-1109TU Laptop Keyboard
] Medical care was expensive and primitive in the 15th century; the spiritual care of patients was as important as the treatment of physical ailments.
Saints Sebastian and Anthony represent healing. Both were associated with bubonic plague, and intended to reassure the dying as intercessors with the divine. HP Mini 110-1109TU Laptop Keyboard
St Michael developed a cult following in 15th-century France, most likely because he was thought to have appeared to Joan of Arc. He was seen as a guardian of the dead, a crucial role given the disasters wrought by plague in the region. There was a severe outbreak in 1441–42, just before Rolin founded the hospital. Pilgrimage to Mont Saint-Michel, Normandy reached a peak around this time. HP G71t-300 CTO Laptop Keyboard
According toBarbara Lane, patients were unlikely to survive their stay, yet St Michael offered consolation as they could "gaze on his figure immediately above the altar of the chapel every time the altarpiece was opened. Like Saints Anthony and Sebastian on the exterior of the polyptych, the archangel offered ... hope that they would overcome their physical ills." ASUS F6A Laptop Keyboard
The altarpiece is composed of fifteen separate paintings on nine panels, six of which are painted on both sides. The closed view comprises two upper and four lower panels on the outside of the shutters. The upper panels are separately hinged and able to close independently of the others. When all the shutters are opened, the viewer is exposed to the expansive "Last Judgement" interior panels. Lenovo Thinkpad T520 Laptop Keyboard
These document the possible spiritual fates of the viewers: that they might reach Heaven or Hell, salvation or damnation; stark alternatives appropriate for a hospice. The exterior panels serve as a funerary monument for the donors. Art historian Lynn Jacobs believes that the "dual function of the work accounts for the choice of the theme of the Last Judgement on its interior".HP Pavilion DV6-1040ev Laptop Keyboard
The work clearly distinguishes between figures of the divine, earthly and hellish realms. Perhaps following Jan van Eyck's c. 1432 Ghent Altarpiece, the polyptych wings form an inverted T-shape. When the shutters are closed the panels resemble an upside-down cross, a form common in 15th-century carved retables:an elevated central panel allowed additional space for a narrative scene, HP COMPAQ NX6310 Laptop Keyboard
to depict a heavenly vista, a single large figure, or a crucifixion with space for the cross to extend above the other panels, an innovation seen in van der Weyden's Descent from the Cross. This shape echoes typical configuration of Gothic churches, where the naves often extended past the aisles into the apse or choir. The imagery of the outer panels is set in the earthly realm with the donors, and saints painted in grisaille to imitate sculpture. ASUS F82Q Laptop Keyboard
According to Jacobs, the treatment of the panels as a whole with van der Weyden's "elimination of thresholds is quite remarkable and indeed astonishing in the history of the triptych." As with his Braque Triptych, the background landscape extends across each panel of the lower register. The celestial sphere, towards which the saved move, is dramatically presented with a "radiant gold background, spanning almost the entire width of the altarpiece". COMPAQ Presario CQ61 Laptop Keyboard
Motifs and arrangements of figures extend along the lower panels from one to the next, to the extent that the separations between panels are ignored with the intersections cutting figures in two. This is particularly evident on the lower register where each panel division intersects figures, so that parts of figures are painted on two adjoining panels; HP AEUT3U00140 Laptop Keyboard
whereas Christ and St Michael are enclosed within the single central panel, giving emphasis to the iconography.
The lower register presents Earth, with its exits to Heaven and Hell. The imposing figure of Christ above indicates the "reign of heaven is about to begin." The distinction between the earthly and heavenly realms creates a sense of order. HP Envy 15 Laptop Keyboard
Christ, raised high above the altarpiece, "exudes calm and control", and creates a sense of balance and movement throughout the other panels.
The manner with which van der Weyden presents the resurrection of the dead across the five lower panels is reminiscent of a Gothic tympanum, specifically that at Autun Cathedral. SONY VAIO VGN-NW240F Laptop Keyboard
Rolin would have been familiar with the Autun Cathedral entrances, which may have motivated his decision to commission a Last Judgement for the hospice from van der Weyden.
Rolin was aware of the liturgy associated with the Mass for the Dead, and would have known Last Judgement scenes associated with the Mass from 15th-century illuminated manuscripts, ASUS X53S Laptop Keyboard
such as the full-page Last Judgement in the Hours of Catherine of Cleves which shows Christ placed in a similar position, sitting above as the dead rise from the ground.
Jesus sits in judgement in the upper centre panel. He holds a lily in his right hand and a sword in his left, and sits on a rainbow extending across two panels, while his feet rest on a sphere. COMPAQ Presario CQ60-201EP Laptop Keyboard
His right hand is raised in the act of blessing, his left hand lowered. These positions indicate the act of judgement; he is deciding if souls are to be sent to Heaven or Hell, his gestures echoing the direction and positioning of the scales held by the Archangel Michael beneath him. His palms are open, revealing the wounds sustained when they were nailed to the cross, HP G72-b80SB Laptop Keyboard
while his cope gapes in places making visible the injury caused by the lance, which pours deep-red blood. Christ's face is identical to the representation in van der Weyden's Braque Triptych, completed just a few years later in 1452. Christ, placed so high in the pictorial space and spanning both registers, orchestrates the entirety of the inner panels. Whereas earlier Last Judgements might have seemed chaotic, here Christ brings a sense of order. HP Pavilion dv7-4070us CPUFan
The two upper register wings on either side of Jesus show a pair of angels holding the instruments of the Passion. These include a lance, crown of thorns and a stick with a sponge soaked in vinegar. The angels are dressed in white liturgical vestments.
The Archangel Michael, the embodiment and conduit of divine justice, is positioned directly below Christ, the only figure to reach both Heaven and Earth. HP Pavilion dv6-2170us CPUFan
He wears a dispassionate expression as he holds a set of scales to weigh souls. Unusually for Christian art, the damned outweigh the blessed; Michael's scales have only one soul in each pan, yet the left pan tips below the right. Michael is given unusual prominence in a "Last Judgement" for the period, and his powerful presence emphasises the work's function in a hospice and its preoccupation with the liturgy of death. ACER Aspire 4820T Series CPUFan
His feet are positioned as if he is stepping forward, almost about to move out of the canvas and he looks directly at the viewer, giving the illusion of judging not only the souls in the painting but also the viewers. Michael, like Sebastian and Anthony, was a plague saint and would have been visible to inmates through the openings of the pierced screen as they lay in their beds. HP Pavilion dv7-3007tx CPUFan
Michael is painted with iconographic elements associated with paintings of the Last Judgement, and is by far the most beautifully and colourfully painted figure; he is dressed in a red cope with woven golden fabrics over a shining white alb, which dominates the lower panels, "hypnotically attracting the viewer's glance" according to Lane. He is surrounded by four cherubs, playing trumpets to call the dead to their final destination. Dell Latitude E6510 CPUFan
Michael's role in the Last Judgement is emphasised through van der Weyden's use of colour: Michael's gleaming white alb contrasts with the cherub's red vestments, set against a blue sky directly below heaven's golden clouds.
Beneath Michael, souls scurry left and right. The saved walk in single file towards the gates of Heaven where they are greeted by a saint; the damned arrive at the mouth of Hell and fall en masse headlong into damnation. HP Envy 17 Series CPUFan
The souls balanced in the scales are naked. The blessed look towards Christ, the banished look downwards. Both groups are tilted in the direction of Christ's hands.[B] Reinforcing this, inscriptions around the groupings read VIRTUTES (Virtues) and PECCATA(sins).
The Virgin Mary, John the Baptist, the twelve Apostles and an assortment of dignitaries are positioned at either side of Michael in aDeësis. Toshiba Satellite A135-S4499 CPUFan
The apostles are seated in a semicircle; Peter, dressed in red, is on the far left, and Paul, dressed in green, is on the far right. The seven haloed dignitaries, dressed in contemporary clothing, are unidentified but include a king, a pope, a bishop, a monk, and three women. Rather than general representative types, they are portraits of specific unidentified individuals, according to Shirley Blum. HP 441137-001 CPUFan
The dead rise from their graves around Michael's feet; some emerge to walk towards Heaven, others towards Hell. They are tiny compared to Christ and the saints. Lorne Campbell notes that these panels display a deeply pessimistic view of humanity, with the damned far outnumbering the saved, especially compared to Stefan Lochner's Cologne panel, where the saved crowd the entrance to Heaven. HP Pavilion dv6-2150us CPUFan
The dead undergo a gradual transformation as they move from panel to panel. The souls rising at Michael's feet show little expression, becoming more animated as they move to either side; horror and desperation become especially visible on the faces of the damned as they move towards Hell. On the left, the saved all have, according to Jacobs, "the same beatific expressions",ACER eMachines G620 Series CPUFan
but their postures gradually change from facing Christ and Michael to looking towards Heaven's gate, notably with the couple below Mary – the man turns the woman's gaze away from Michael, towards Heaven. This contrasts with another couple on the opposite panel who face Hell; the woman is hunched over as the man raises his hand in vain to beseech God for mercy. TOSHIBA UDQFRZH05C1N CPUFan
Heaven is represented by an entrance to the Heavenly City, which is in a contemporary Gothic style illuminated by long, thin rays of light. The saved approach clasping their hands in prayer, and are greeted at the entrance by an angel. Only a few souls pass through the heavenly gates at a time. The imagery of a church as an earthly representation of Heaven was popularised in the 13th century by theologians such as Durandus;[4 Compaq Presario C714NR CPUFan
1] the gate to Heaven in this work resembles the entrance to the Beaune hospice. The way to Heaven is shown clearly as a gilded church – the saved ascend a set of steps, turn right, and disappear from sight. It is fully enclosed in a single panel, whereas Hell extends onto the adjoining panel, perhaps hinting that sin contaminates all around it. DELL DFS531205PC0T(F6K2-CCW) CPUFan
Van der Weyden depicts Hell as a gloomy, crowded place of both close and distant fires, and steep rock faces. The damned tumble helplessly into it, screaming and crying. The sinners descend into Hell with heads mostly bowed, dragging each other along as they go. Traditionally, a Last Judgement painting would depict the damned tormented by malevolent spirits; yet here the souls are left alone, HP Pavilion dv6-2170us CPUFan
the only evidence that they are tormented is in their expressions. The hellscape is painted so as to instil terror, but without devils. Erwin Panofsky was the first to pick up on this absence, and proposed that van der Weyden had opted to convey torment in an inward manner, rather than through elaborate descriptions of devils and fiends. He wrote, "HP G42-221BR CPUFan
The fate of each human being ... inevitably follows from his own past, and the absence of any outside instigator of evil makes us realize that the chief torture of the Damned is not so much physical pain as a perpetual and intolerably sharpened consciousness of their state". According to Bernhard Ridderbos, van der Weyden accentuated the theme by "restricting the number of the dead and treating them almost as individuals. HP KSB06105HA CPUFan
As the damned approach the abyss of hell they become more and more compressed."
The exterior is comprised of the two donor wings, a pair of saints, and two panels with Gabriel presenting himself to Mary. The donors are on the outer wings, kneeling in front of prayer books. Four imitation statues in grisaille make up the inner panels. HP Pavilion dv5-1233se laptop keyboard
The lower two depict Saint Sebastian and Saint Anthony. Sebastian was the saint of plagues and an intercessory against epidemics, Anthony the patron saint of skin diseases and ergotism, known in medieval times as St Anthony's Fire. The two saints had strong associations with the Burgundian court as well: Philip the Good was born on St Anthony's day, he had anillegitimate son named Anthony, and two of Rolin's sons were named Anthony. IBM Thinkpad R40 laptop keyboard
St Sebastian was the patron saint of Philip the Good's chivalric Order of the Golden Fleece, of which Rolin was a member.
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